Kira-Anne Pelican, PhD., who researched and wrote the book The Science of Writing Characters, explained at Script.com why the best fictional characters stick in our minds. Writers are constantly reminded: create complex heroes and villains. But how, exactly? How do we ensure our characters are satisfyingly complex? Should we just layer weird personality trait upon powerful personality…

Why should you withhold information from the reader? So your readers will wonder. So your readers will guess. So your readers will engage in the story.  In an April 2019 Writer’s Digest blog, Bryan Young highlighted the importance of withholding information until just the right time. The author of 20 books used examples from the…

It sounds like it’s been done to death Let’s start with three admissions: everything is derivative; nothing is original; it’s all been done before. But that doesn’t mean clichés are acceptable.  How do I avoid clichés? I don’t. Not in the first draft. I pour everything onto the page, fast as I can, even clichés.…

Listen: “I sent one boy to the gas chamber at Huntsville.” No Country for Old Men, Cormac McCarthy. “They shoot the white girl first. With the rest they take their time.” Paradise, Toni Morrison. Do you hear the storyteller’s voice? Do you hear two different voices?  McCarthy’s protagonist is a Texas sheriff. The old man in the…

Vogler’s Step 7: Approach to the Inmost Cave In the original Star Wars movie, Han Solo, Chewbacca and Luke Skywalker free Princess Leia. Storm troopers chase them through the Death Star, so they blast a hold in the bulkhead and jump. They fall into the garbage dump, and it starts compacting trash. That’s Step 7 of the…

Action, Inaction and Raising the Stakes Even if you’re writing a romance, even if you’re writing a children’s book, even if you’re writing nonfiction, you’re writing action scenes. Not an easy task, even for the best novelists and screenwriters. “Writing a good action scene is more difficult than it appears,” wrote screenwriter Brad Johnson, best…

The very best of the very darkest comedies make audiences laugh at the very sickest and very twistedest stuff. (Yes, of course twistedest is a word. Twist, twister and twistedest.)  In the movie Fargo, Peter Stormare’s character killed Steve Buscemi’s character. Stormare destroyed the evidence by feeding the body into a woodchipper, which spewed bloody meat…

The average novel – I’m guessing – is about 300 pages.  A page of an average novel is about 225 words. I know that from my own 340-page, 75,000 word-novel, To Daddy, Who I Never Loved. So, authors who are beginning their first manuscripts may be asking, where in the heck are they supposed to come…